In this episode of DIY Guitar Making, the parlor guitar saga continues! I create an MDF template using a bookmatching process to give symmetry to the aesthetic detail at the end of the fretboard tongue. � All episodes available at…
In this episode of DIY Guitar Making, the parlor guitar saga continues! I create an MDF template using a bookmatching process to give symmetry to the aesthetic detail at the end of the fretboard tongue. � All episodes available at…
In this episode of DIY Guitar Making, I draw up plans for a new acoustic guitar model and provide a quick and easy step-by-step guide to laying out such things as your scale length, string compensation, nut width, saddle spacing…
In this episode of DIY Guitarmaking, I answer your questions on the juxtaposition of the engineer and the artist within the luthier, ebony truss rods in classical guitars, are classical guitar builders traditionalists and more. I won’t be producing any…
In this episode of DIY Guitarmaking, I am answering your questions on plastic pickguards, the Ernie Ball 4 + 2 patent, instruments without a radiused top, and bandsaw blade tensioning and sharpening. 🔴 All episodes available at diyguitarmaking.com 🔴 Register…
In this episode of DIY Guitarmaking, we are doing shop rounds and I’m giving a tour of the shop as it is partway through it’s remodel. 🔴 All episodes available at diyguitarmaking.com 🔴 Register for an 9 day Hands-On Guitar…
The final part in a series detailing the construction of a Triple-O guitar, with educational commentary from the builder. This one was built with Redwood for the top, Ziricote for the back and sides, and Port Orford Cedar for the…
The third part in a series detailing the construction of a Triple-O guitar, with educational commentary from the builder. This one was built with Redwood for the top, Ziricote for the back and sides, and Port Orford Cedar for the…
The second part in a series detailing the construction of a Triple-O guitar, with educational commentary from the builder. This one was built with Redwood for the top, Ziricote for the back and sides, and Port Orford Cedar for the…
The first part in a series detailing the construction of a Triple-O guitar, with educational commentary from the builder. This one was built with Redwood for the top, Ziricote for the back and sides, and Port Orford Cedar for the…